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Today, she launches an updated edition of her website, and with it, a selection of recipes for the dishes featured on the show so that viewers can cook as they watch. “People have been emailing me asking for the recipes, which apparently they’re already cooking just from watching-that’s pretty amazing.”

That’s definitely happening,” Nosrat confirms. “I was hoping it could be something where people can pick up a few tips, or want to start cooking. After debuting last week, it has already become a hit. Like an amped up version of Chef’s Table, the episodes present visually gorgeous segments of food preparation and scenery, peppered with Nosrat’s infectious joy and sense of discovery. The four-part program, named for each section of her book, tracks Nosrat’s adventures around the world, beautifully capturing her private lessons with local people in communities big and small, from pesto-making in Liguria, Italy, to salt-harvesting in Japan’s small island communities. I also want to add that at some point I thought to create the text in Photoshop and import it to AE, but many parts of the text are built through animation.Samin Nosrat, the Iranian-American chef and writer behind the hit cookbook Salt, Fat, Acid, Heat-a compendium of cooking guides that help people to prepare food by employing the powers of what she deems the four “holy grail” elements of cooking-has released a show on Netflix. Yet when I rendered it the result in both tests was of that very same jaggedness. Thus, I tested again my composition, with a smaller typeface (36 px), and a larger one (75px). I have compared between the settings, of these two works, and the only difference (apart of the composition size) is the typeface size, which is smaller in the previous work (36px). I took a screen shot to compare between the two works: the text on the left is of the previous work, and on the right is of the current work.

I would like to note that in a previous video work, that its dimensions are even larger, I used the same typeface (but size 36px) and the outcome is clear in both H.2. Yet, although the images are clearly sharp, the text significantly shrinks and is completely jagged (the size of the typeface is 50px). I also tried to render it straight to Vimeo preset. I have tried to render this work in varied ways (both in After Effects and Media Encoder): H.264, lossless, VBR, 2 pass, target 18.50 Mbps unchecked Frame Blending checked Use Maximum Render Quality. The dimensions of the composition are 1800px X 2850px. This work is meant to be projected on a wall/screen, thus the size. I have created a video work, which is based on both text and images. I have a problem that it seems I cannot solve, and would very much appreciate your insight.